ANA VICENTE artist-researcher-educator



WORK


2024 DRAWING AS EXPANDED PRACTICE ~ teaching, practice-research
2024 JOINING ~ participatory, installation, instructional piece
2024 HOW DOES A COLLECTIVE BODY MOVE... ~ practice-research, writing, collective
2023 24H ON EARTH PUBLICATION ~ curation, proj. management
2023 THERE IS A STONE IN ME THAT KNOWS STONE ~ installation, performance
2022 STEVIE SMITH ~ art producer
2022 LOVE LETTERS ~  research-creation, pedagogy, collaboration
2022 (K)NOT CROCHET AT 24H ON EARTH ~ expermental pedagogy, collaboration
2022 GROUND WORK CATALOGUE ~ graphic design, art direction
2022 CUT-UP-CHOREO-GRAPHIES ~ collage
2021 DOMESTIC CHOREOGRAPHY 2 ~ video
2021 BEING-WITH-CHOREO-GRAPHIES ~ installation, video
2021 THE SOUNDSCAPE POETRY PROJECT ~ book design, artwork
2020 GROUND WORK  RESIDENCY ~ photography, mixed media
2020 BEING-WITH-CHOREO-GRAPHIES ~ website, practice-research
2020 FEELING THE GAPS WALKING ~ toolkit, practice-research, collaboration
2020 STUDIO 4 ~ installation, practice-research
2019 DINNER ~ performance
2019 BY THE WAY CATALOGUE ~ graphic design, art direction
2019 LIVETYPE ARCHIVE ~ graphic design, publication
2018 LIVETYPE ~ Performance, collaboration
2018 T2 ~ performance, collaboration
2018 MALPAS ROAD ~  performance, collaboration
2017 W(IN)DOW ~ performance
2017 NUMBER STATIONS ~ performance, collaboration
2016-2005 WOTADOT ~ self-publishing
2015 SPACE IN BETWEEN THE WORDS ~ artist book
2015 WHAT IS LEFT OF PEREC ~ text
2015 ENSEMBLE  (DOMESTIC IMPROVISATION) ~ video, assemblage
2015 KITCHEN ~ mixed  media
2015 THINGS THAT ARE THERE  CATALOGUE AND FLYER ~ graphic design
2011 TABLE SERIES II ~ etchings
2011 UNTITLED_PILE ~ artist book
2011 FOUND ~ drawing, etchings
2010 TREE DANCE ~ photography
2010 THE FALL ~ artist book
2010 TABLE SERIES I ~ drawing, mixed media
2009 COSMOS ~ artist book
2004 DAQUI PARA ALI E VOLTAR ~ installation


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© Ana Vicente 2004-2024




T2



T2  was a site-specific performance that used the body, sound and an elevated large glass window to place the audience in an inside/ outside relationship with the top of a 60 ft high, 150 year-old, London Plane tree and two people ascending to it. T2 consequently brought about in the audience a dual state that was at once of suspense and of meditation, while witnessing the two people climbing this tree in real-time. The sound, which the audience listened to via headphones, provided a spoken-word soundtrack that hinted at the negotiations the two people went through to gain permission to climb this tree, interweaved with reflective snippets of intimate conversations between the two. Thereby suggesting also a relationship that grew from this shared experience of ascending the tree together. The window was covered by a curtain, perhaps similar to the theatre and cinema curtain, removed at the start and replaced at the end, revealing and concealing the view from the window.

The performance title T2 borrows from the marking of that specific London Plane Tree as T2 on the Tree Protection Order Map containing all the trees in Goldsmiths University grounds. All tree are numerically marked. T2 is situated just outside the Professor Stuart Hall building in the campus Green, by the large elevated square window where the audience watched.

Created by Lorie Jo Trainor Buckingham and Ana Vicente
Performed by Lorie Jo Trainor Buckingham and Ana Vicente
Stage hands: Holly Khan and Helle Tviberg 
Specialist tree climbing instructor: Paul McCathie
Sound support: Patrick Furness and Sonya Gonzalez
Printed booklet designed, written and illustrated by Ana Vicente
R&D drawings by Ana Vicente
Costumes: Berthe Fortin
Video: Jasmine Johnson
Photo credits: Tom Elkins www.threepractices.com


T2 was thirty-minutes long and it was performed four times over the course of two days, on the 29th and 30th June 2018, programmed into the Everything Must Go Festival.

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Research and development drawings, 2018





booklet handed out to the audience at the end of the performance